Jessica Lea Fleming is training in artistic producing and programming with Tanja Dixon-Warren and Margo Kane at Full Circle First Nations Performance’s Talking Stick Festival on the traditional un-ceded territories of the Coast Salish People.
(February 12, 2016) I'm off to a blazing start here at Full Circle: First Nations Performance, working with mentors Margo Kane (Cree-Saulteaux) and Tanja Dixon-Warren. As is usually the case with festival work, there are many pieces to pull together for the 16th annual Talking Stick Festival, February 18-28, 2016 here on Coast Salish territory! Luckily, we are on track (phew!) and I look forward to spending 10 days with friends and artists from across Turtle Island.
My primary focus as Associate Artistic Producer and Programmer has been on planning, promoting and executing the Iyá7yulh Industry Series with Margo and a fabulous team of curators and advisors. Iyá7yulh (“Ee-ya-chote-yo-lh”), translates to “get aboard our canoe”, and this year includes galas, shows, workshops, conversations and events. It's an exciting and ambitious program, to say the least, with canoe teachings focused on “pulling together” imbued throughout each day.
One of the most rewarding parts about my work so far at Full Circle is the inclusion of Indigenous traditions and protocol in the everyday. We recently welcomed friends and colleagues from Australia’s ILBIJERRI Theatre (currently touring Jack Charles v. The Crown). As hosts, we invited the Australian delegation for a gathering and blanketing ceremony to celebrate our guests, and ensure their safe journey home. I was honoured to assist Elder Sahplek Bob Baker (Squamish) in the ceremony and have been carrying the teachings with me.
Jessica Lea Fleming and the team at Full Circle (Counter clockwise top left, Margo Kane, JLF, Kwasuun Sarah-Veden, Dannielle Piper, Duane Grant) |
Big hugs from the West Coast,
Jess
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