Showing posts with label human resources. Show all posts
Showing posts with label human resources. Show all posts

Wednesday, 27 March 2019

Browsing Our Bulletin Board

Upcoming opportunities from Theatre Ontario, from our members, and from other arts service organizations.

Coming Up from Theatre Ontario


Upcoming on The Bulletin Board

  • ArtsBuild Ontario is hosting a free webinar “Working Together: Multi-Partner Creative Space Projects” today.
  • Deadline for applications for the Cayle Chernin Awards, presented to emerging or discipline-transitioning female artists seeking assistance in the creation of a new work is March 29.
  • PACT, the Professional Association of Canadian Theatres, is beginning a three-part “HR Intensive” webinar series covering Recruitment, Keeping Your People Happy and Motivated, and Keeping Your Feet Under You When Change Is Afoot. The series begins April 2.
Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Friday, 1 February 2019

Ontario Off Stage

by Brandon Moore, Community Theatre and Communications Manager

Conversation Starters


Behind the Scenes at Ontario’s Theatres


Migrations


TO Toasts

Calithumpian Theatre Company's production of Hir by Taylor Mac
Ingrid Blekys, Zoe Bernard, Rob Deman, Deighton Thomas
Photo by Jackie Noble

In Case You Missed It

Friday, 3 November 2017

Ontario Off Stage

by Brandon Moore, Community Theatre and Communications Manager

Conversation Starters

Other Side of the Game at Cahoots Theatre and Obsidian Theatre
Photo by Dahlia Katz

Behind the Scenes at Ontario’s Theatres

TO Toasts

In Case You Missed It

Friday, 9 December 2016

Ontario Off Stage

by Brandon Moore, Community Theatre and Communications Manager

Conversation Starters

Behind the Scenes at Ontario’s Theatres


TO Toasts


In Case You Missed It

Wednesday, 28 September 2016

Browsing Our Bulletin Board

Coming Up from Theatre Ontario


Check out all of our upcoming Career Stream and Creator Stream workshops.

Upcoming on The Bulletin Board


  • Deadline to apply for Ontario150 Grants Partnership Program for engaging, enabling, and empowering youth is September 30.
  • Deadline for nominations for the Canada Council’s John Hobday Awards in Arts Management is September 30.
  • Deadline to sign-up for Acting Up Stage Company’s One Song Glory (free musical theatre intensive for youth 13 to 19) pre-intensive workshops is September 30.
  • Deadline for submissions for Thousand Islands Playhouse’s Ontario Arts Council Theatre Creators Reserve is October 1.
    The deadline to apply for the Theatre Creators Reserve at
    Thousand Islansd Playhouse is October 1.
  • Anne Marie Scheffler’s One Person Show Workshop runs October 1 to 2 in Toronto.
  • Deadline for applications for the Toronto Arts Council Artists in the Library program is October 3.
  • Deadline for applications for directors (non-paying) at the NAGs Players annual pantomime is October 3.
  • Deadline for applications for the Ontario Arts Council’s grants for Artist(s) in the Community / Workplace, Arts Education Projects and National and International Residency is October 4.
  • Deadline for applications for Paprika Festival’s 16/17 programming is October 7.
  • Deadline for applications for a tenancy at Artscape Youngplace is October 7.

New on The Bulletin Board


  • Toronto Irish Players invites applications to direct The Night Joe Dolan’s Car Broke Down (non-paying community theatre production.) The application deadline is October 8.
  • Theatre 3x60 is hosting Open House Information Sessions on October 11 and 18 for their free youth theatre collective, for Durham youth 14 to 21.
  • Great Canadian Theatre Company invites applications for their OAC Theatre Creators’ Reserve program. Their funding priority is for playwrights and collectives based in, or who originate from, Ottawa and the National Capital Region. The application deadline is December 2.
  • Festival Players of Prince Edward County invites applications for their OAC Theatre Creators’ Reserve program. Their funding priority is work that concerns itself with rural and/or epic themes, musicals, work for young audiences, and work by local playwrights from their community. The application deadline is December 9.
  • The Village Players of Bloor West Village are seeking Costume Coordinators for Powers and Gloria and The Melville Boys (non-paying community theatre productions.)

Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Friday, 9 January 2015

Ontario Off Stage

by Brandon Moore, Communications Coordinator

Just a few “quick hits” this week as I am still catching up on an overflowing inbox of interesting materials post-holidays.

Conversation Starters

Behind the Scenes at Ontario’s Theatres

TO Toasts

In Case You Missed It

Wednesday, 1 October 2014

Browsing The Bulletin Board

Coming Up from Theatre Ontario

Upcoming on The Bulletin Board
  • Shaw Festival’s next Play by Play, for theatre lovers interested in going behind the scenes, is October 3
  • SPARC–Supporting Performing Arts in Rural Communities, invites applications for their Network Summit on October 3
  • Playwrights Guild of Canada’s Libretto Writing workshop with Marjorie Chan is on October 6 in Toronto
  • Deadline for nominations for Work In Culture’s Robert Johnston Award for a tenacious commitment to furthering best human resources practices in the cultural sector is October 9
  • Deadline to apply for Alumnae Theatre’s Playwrights’ Intensive with Maja Ardal is October 10
  • Deadline to volunteer as a Director at the Alumnae Theatre’s New Ideas Festival is October 10
  • Deadline to apply to the Paprika Festival’s 2015 Festival, with opportunities available for artists 21 and under (Projects, Playwriting, Creators’ Unit, Resident Company) and under 30 (Projects, Advisory Board) is October 10
New on The Bulletin Board
  • Ottawa Little Theatre invites submissions for the 74th National One-Act Playwriting Competition, for plays running 25 to 60 minutes, unproduced or produced no earlier than 2014; the submission deadline is October 17
  • The Toronto Fringe Festival now invites submissions for the 2015 Fringe Lottery, Site Specific Fringe Theatre, and the Culturally Diverse Artist Project; application deadlines are November 3
  • Buddies in Bad Times invites submissions for their OAC Theatre Creators Reserve from individual creators or collectives working on new texts and performance-creation based models relevant to Buddies' mandate and interest.  The application deadline is November 28
Check out these items, and other postings from our members of funding opportunities, workshops, calls for submission, awards, and more—on Theatre Ontario’s Bulletin Board on our website

Theatre Ontario individual members can also access auditions and job postings on our Theatre Ontario Individual Member Resources on our website

Wednesday, 17 September 2014

Browsing The Bulletin Board

Coming Up from Theatre Ontario
A stomp in time and space.
Free demonstration and discussion of
SITI Company's training dichotomies on
September 22.
  • Theatre Ontario and Why Not Theatre are hosting “A Stomp In Time And Space” on September 22 in Toronto, a free demonstration and discussion of SITI Company’s training dichotomies from the recipients of the Independent Theatre Creators International Training Scholarship
  • Financial Basics for Artists on September 23 in Toronto is a free workshop for self-employed artists covering basic financial skills
  • Unleashing Your Inner Entrepreneur (formerly known as Self-Start: The Basics of Producing) on September 24 in Toronto is for artists thinking of producing a show or starting a theatre company (free for Theatre Ontario individual members) 
  • Proposal Writing: Creative Approaches to Creative Proposals on September 29 in Toronto is a workshop for individuals and theatre organizations applying for funding and sponsorships 
  • The Professional Theatre Training Program offers financial support for unique and flexible training with a chosen mentor in any theatrical discipline except performance.  The application deadline is October 1.
  • The Youth Theatre Training Program offers financial support to programs led by professional theatre artists, which deliver accessible training to young people (age 14 to 21) in theatrical skills.  The application deadline is October 15.
Check out all of our upcoming Career Stream and Creator Stream workshops.

Upcoming on The Bulletin Board
  • Deadline for submissions for Theatre Passe Muraille’s Youth Blues Challenge is September 19
  • Ottawa Little Theatre’s Pick Up the Pace: A Field Guide to Playwriting with Dan Needles is on September 20
  • Alameda Theatre Company’s Playwriting Master Class with Caridad Svich is on September 21 and 22
  • Playwright’s Guild of Canada’s Libretto Writing workshop with Marjorie Chan is on October 6; registration closes on September 22
  • Port Stanley Festival Theatre is holding their free Playwrights Festival on September 26, featuring a public reading of “Feathers”, part of their new play development program
New on The Bulletin Board
  • WorkInCulture now invites nominations for the Robert Johnston Award, honouring individuals who have made a tenacious commitment to furthering human resources development in the cultural sector in Ontario; deadline is October 9
  • Alumnae Theatre is holding a playwriting intensive with Maja Ardal; applications are due on October 10
  • Tarragon Theatre invites submissions for the OAC Theatre Creators Reserve, with a deadline of October 17
  • Theatre InspiraTO invites applications for their Playwriting Academy; the deadline is October 23
  • Toronto Fringe Festival invites applications for the OAC Theatre Creators’ Reserve, with a deadline of October 31
Check out these items, and other postings from our members of funding opportunities, workshops, calls for submission, awards, and more—on Theatre Ontario’s Bulletin Board on our website

Theatre Ontario individual members can also access auditions, job postings, and volunteer opportunities on our Theatre Ontario Individual Member Resources on our website

Friday, 6 June 2014

Ontario Off Stage

by Brandon Moore, Communications Coordinator

Conversation Starters
From The Wire
TO Toasts
Gary Crawford, Toronto City Councillor and David S. Craig,
winner of the 2014 Barbara Hamilton Memorial Award from
the Toronto Alliance for the Performing Arts
In Case You Missed It

Tuesday, 25 February 2014

Staging Sustainability: Thriving through Innovative Thinking

By Brandon Moore, Communications Coordinator

Staging Sustainability came to Toronto on February 3 and 4, 2014.  Organized by York University’s Centre for Sustainable Staging and ArtsBuild Ontario, the conference was built on “a dream of bringing innovation from around the world to Toronto’s theatre community” through a conversation about sustainability in the performing arts.  In the opening plenary, Arlene Goldbard defined sustainability with an emphasis on “thriving”—and indeed many of the stories we heard over the two days of the conference were encouraging.


I attended a morning panel focused on how organizations can integrate and balance sustainability as a core value.  It was an ideal starting point, because it was really applicable to any organization value—including sustainability.  From my point-of-view , it was best articulated by Tim Cynova of Fractured Atlas, who described healthy organization structures with the “accidental” acronym VERDI: Vision (clear and articulate), Empowered (what can we do that makes a difference?), Recognized (specifically and frequently), Don’t Be An A--h--- (self-explanatory), and Investing In Others (again, specifically and frequently).  Whatever core value an organization may aspire towards—including sustainability—it is impossible without a healthy organization structure.

After lunch, I attended a panel focusing on how arts facilities are being built to respond to sustainability.  Case studies on consumption, such as Katie Oman’s study at Seattle Repertory Theatre, challenged conventional thinking—for example, the assumption that lighting design has an enormous impact on energy costs.  While certain effects, such as saturated cyc lighting in a pre-show cue, was shown to cause spikes in consumption, the overall impact was far less significant when compared to facility operations.  Similarly, a study of Theater Winterthur in Switzerland by Annett Baumast (who joined us via video-conferencing) analyzed the impact of presentations at that venue, including transport of materials and infrastructure.  (Unfortunately, the scope of the study didn’t include the impact of audience travel.)

This was a good set-up for the next panel: How are presenters thinking about sustainability in their programming?  Local leaders like Franco Boni of The Theatre Centre and Tina Rasmussen of World Stage at Harbourfront Centre were forthright about their place on the learning curve for these issues, but they spoke eloquently of the power of artists to affect change and the lessons in their work that can help us comprehend these issues.  Marie Zimmerman of the Hillside Festival in Guelph demonstrated how founders committed to sustainability instilled that value from day one.  Harry Giles of Festivals Edinburgh introduced us to his work as the organization’s Environment Officer and the challenging questions he gets to ask about the carbon costs of Festival programming decisions.

My colleague Bruce Pitkin attended the second day of the conference.  One of the programs that caught his eye was the Broadway Green Alliance, which works to motivate and inspire the theatre community about environmental practice.  One of their techniques is to recruit volunteer “Green Captains” so that every production has someone specifically focused on environmental impact.  As is always the case, concurrent events meant that I couldn’t hear panels of about artists on the front lines, or innovation in sustainable practices, or many other significant conversations.

As we aspire towards a thriving theatre community, the benefits of sustainability-thinking—whether the goals are artistic or economic—were clear throughout the conference.  There is an eagerness to keep these conversations going, and we look forward to hearing more.

Wednesday, 10 October 2012

Browsing The Bulletin Board

Upcoming on The Bulletin Board
  • Paprika Festival applications are due on October 12
  • Deadline for nominations for the Robert Johnson Award from Work In Culture is also October 12; this award honours those who “further human resources development in the cultural sector in Ontario”
  • First day of auditions for Acting Up Stage Company’s One Song Glory, a free professional music theatre training program for performers under 19 is on October 14
  • Upcoming OAC Theatre Creators Reserve deadline as Odyssey Theatre (October 15)
Check out these items and all of our postings of workshops, calls for submission, and opportunities for recognition on Theatre Ontario’s Bulletin Board on our website

Wednesday, 28 September 2011

Theatre Ontario Seeking Community Theatre Coordinator

As announced at the Theatre Ontario Festival, Dennis Johnson is retiring as Community Theatre Coordinator.  We are now inviting applications for the position.  This is a part-time employee position, starting November 2011.

Theatre Ontario seeks a motivated and independent individual who is familiar with the theatre environment of Ontario.  The successful candidate will have excellent communication skills, as well as demonstrated skills in production and management within the community theatre sector.

Read more about the Community Theatre Coordinator position on the Theatre Ontario website

Friday, 23 September 2011

7 Days In Ontario Theatre

Conversations
  • On The Artful Manager, Andrew Taylor proposed a new way of thinking about job descriptions in the cultural sector for small and mid-size organizations: job function trading cards
From The Wire
Migrations
Highlights From The Bulletin Board
  • September 30 is the deadline for OAC Theatre Creators’ Reserve submissions to Talk Is Free Theatre in Barrie; funding priorities are regional artists; artists from culturally diverse backgrounds; artists and works that would likely experience difficulty in attracting support elsewhere
  • September 30 is also the deadline for nominations for the Keith Kelly Award for Cultural Leadership from the Canadian Conference of the Arts
  • Toronto’s Paprika Festival has put out the call for submissions: deadline is October 7 for their Productions, Creators Unit, Playwrights-in-Residence, and Resident Company; the Paprika Festival celebrates the work of young and emerging artists, primarily those who are 21 and under
  • Fall workshop schedule from Off The Wall—Stratford Artists’ Alliance is now available: subjects include animatronics, artistic welding, exploring shadow puppets, mail armour costuming, mask making, and stage upholstery
  • Factory Theatre has issued their call for OAC Theatre Creators’ Reserve submissions, with a deadline of November 25; funding priorities are: projects that reflect our cultural diversity; young voices that speak to youth issues; unique, theatrical investigations in form; groundbreaking projects from established playwrights; work that explores new methods of creation, including collective creation
Check out all the latest postings of workshops, classified ads, recognition opportunities and more from Theatre Ontario’s Bulletin Board

Remember, you can also receive our news every month by email.  Our archives are online and the September issue is now available.

Assembled by Brandon Moore, Communications Coordinator