Showing posts with label Talent Bank. Show all posts
Showing posts with label Talent Bank. Show all posts

Tuesday, 5 March 2019

Introducing Professional Development Workshop for Adjudicators

As part of Theatre Ontario’s Adjudicator Professional Development series, we are excited to offer a new workshop for Ontario’s adjudicators “The Adjudicator’s Voice: How to Say What You Mean Without Saying What You Think”, lead by Annette G. Procunier.

Suitable for both emerging adjudicators and for established adjudicators interested in enhancing their skills, this workshop will help adjudicators with the art of critique and strengthening their communications.

Adjudicators at the workshop will:
  • Explore style, language, content and focus in establishing rapport and creating an environment for learning
  • Discuss public versus private adjudication
  • Discuss how to engage participants in dialogue without allowing them to take control of the situation
  • Discuss professional judgement versus personal opinion
As an adjudicator, our instructor has participated in festivals in Europe, Canada, Japan and the United States having judged more than 125 festivals in 30 years including Theatre Ontario Festival, and festivals for QUONTA and EODL. She has adjudicated the World Theatre Festival in Monaco for IATA and the national festival for the American Association of Community Theatre four times. She is the author of Do You See What I See? on adjudication.

The workshop is being held on Saturday May 18 in Richmond Hill. This is during the Theatre Ontario Festival, and gives participants an opportunity to also attend performances and Festival adjudications, and to meet with members of the community theatre sector from across Ontario.

Thursday, 20 September 2018

Welcome Carolee Mason as Theatre Ontario Festival 2019 Adjudicator

Carolee Mason
Theatre Ontario welcomes Carolee Mason as adjudicator for Theatre Ontario Festival 2019 in Richmond Hill. Carolee most recently adjudicated as the Western Ontario Drama League Festival preliminary adjudicator in 2017/18 and the Association of Community Theatres—Central Ontario (ACT-CO) Festival in 2015/16. This will be her first time adjudicating Theatre Ontario Festival, and marks the first Theatre Ontario Festival adjudicated by a graduate of Theatre Ontario’s Adjudicator Training Program, initiated in 2010.

Carolee has taught in the Theatre Department at Brock University, instructed practicing teachers and teacher candidates with the Ontario Institute for Studies in Education, and has been the teacher/director of generations of high school drama students and countless community theatre groups. She is a frequent workshop leader with the Council of Drama and Dance Educators of Ontario, and has presented for drama educators internationally with the American Alliance of Theatre Educators and the International Drama and Education Association.

“Creative collaboration is one of the most engaging of human endeavours,” said Carolee. “Couple that with the spirit of community and discovery at the Theatre Ontario Festival, and the experience is heady! I am thrilled to adjudicate the 2019 Festival, to foster learning, and to celebrate achievements with my theatre colleagues from around the province.”


Theatre Ontario Festival 2019 will be held in Richmond Hill from May 15 to 19, 2019 and is co-hosted by Theatre Ontario, The Curtain Club, and the Association of Community Theatres—Central Ontario.

Tuesday, 14 August 2018

Join Us at the Theatre Ontario Adjudicators Symposium

Adjudication at Theatre Ontario Festival 2018
Registrations are now open for our annual Adjudicators Symposium, running Saturday, September 22, 2018, from 10:00am to 4:00pm at the Theatre Ontario office in Toronto.

The Symposium will open with a discussion of the past year of adjudication. Adjudicators who were engaged at community theatre festivals in 2017/18 are invited to share their experiences during the season.

In the “Adjudication Techniques Roundtable”, we will discuss techniques and practices in a variety of areas of adjudication. Participants will suggest topics for conversation.

This year’s Symposium will also feature a “Meet the Engagers” panel with representatives from Ontario community theatre festivals.

Thursday, 5 July 2018

Save the Date for the Theatre Ontario Adjudicators Symposium

Annette G. Procunier leading a Detailed
Adjudication at Theatre Ontario Festival 2017
Mark your calendars!  We've booked the date for our next Theatre Ontario Adjudicators Symposium – it will be Saturday, September 22, 2018, from 10:00am to 4:00pm at the Theatre Ontario office in Toronto.

The Symposium is one of Theatre Ontario’s professional development and networking events for adjudicators of all experience levels. Adjudicators discuss techniques, approaches and strategies for public and detailed adjudications; and their adjudication experiences during the past year. This year’s Symposium will feature a “Meet the Engagers” panel with representatives from community theatre festivals.

Registration will open in late July.

Thursday, 7 June 2018

Welcome to Our Newest Members of the Talent Bank of Adjudicators and Instructors

The Theatre Ontario Talent Bank of Adjudicators and Instructors is a program to match organizations (particularly community theatres and educational organizations) with professional theatre teachers and trainers for workshops, adjudications, and short-term consulting contracts.

We are pleased to welcome the newest addition to our Talent Bank for 2018.

Lee Bolton (Instructor of Administration and Audience Development)

Lee has three decades’ experience in Canadian theatre. She trained as a theatre maker at York University and the University of Leeds, and has been Artistic Director of Second Mile Theatre (Toronto) Yukon Educational Theatre (Whitehorse) and Silk Purse Theatre (Vancouver and Saint John). Lee has taught acting and movement to aspiring professionals at Vancouver’s William Davis Centre, and in workshops to groups including seniors, children, prison inmates and business professionals. As a theatre maker, she is best known for Larger the Life: The Musical which has been performed in Vancouver and Toronto and toured in British Columbia and Yukon. She is an alumna of the Lincoln Center Directors’ Lab and a veteran of the Vancouver, San Francisco, Fundy and Island Fringe Festivals.

Janet Kish (new in the category of Adjudicator – already a member as an Instructor of Acting and Instructor of Directing Drama)

Joseph Joubert wrote "To teach is to learn twice." This certainly rings true for Janet who has had the privilege of working as a theatre educator for well over three decades. During this time, she has worked with thousands of students exploring the art of acting, directing, theatre design and playwriting. She herself has directed, written and produced dozens of plays over the years. Since retiring from the classroom in 2012, Janet has gone on to working freelance as a dramaturg and mentor with CSARN, an adjudicator for the National Theatre School Drama Festival (Formerly Sears), a drama workshop leader, a jurist for playwriting competitions and a social media content writer for various theatre groups. Her most recent directorial works include The Penelopiad (Theatre Mowat), Antigone (Alumnae Theatre), and With Love and a Major Organ (MDS Canadian Play Festival). Her last script The Kiss was chosen to be one of the plays to be showcased at the Newmarket National Play Festival in 2018. Janet’s other true loves include travel and photography.

Gerrard Morrison (Instructor of Directing Drama)

Gerrard is a theatre graduate of Dalhousie University, Halifax, N.S. as well as a graduate of the Drama in Education Program at the University of Lethbridge, AB. He is a veteran writer, performer as well as theatre educator. Gerrard has worked in all areas of media and theatre arts, specifically directing, writing, performance, and design. He also has experience in radio, film and television, most notably ATV’s Shantytown, winner of two Gold Medal Can-Pro Awards. Gerrard has been a dramatic arts specialist for more than forty years, twenty-five of which were dedicate to Drama in Education in the province of Ontario. He is pleased to continue to inspire and be inspired by the dramatic arts community.

Steve Russell (Adjudicator)

Steve is an experienced actor and director. He has studied at University of Western Ontario, the Banff Centre, the University of Toronto and Second City. He taught Secondary School drama for 30 years and directed three productions (one-act, full-length and musicals) each year. He later became an Additional Qualification Instructor, teaching drama teachers how to teach drama. He has published a book on dramatic arts assessment and was a lead writer of the Ontario Drama curriculum and resources. Steve was the Arts Consultant for his school board, and President of the Council of Ontario Drama and Dance Educators (CODE). His favourite roles were Shrek, in Shrek the Musical and King Arthur in Spamalot. His experiences doing lighting, make-up, sound, mask making, set design, construction and stage management along with his expertise in assessment and onstage make him a uniquely qualified adjudicator.

If you are interested in hiring an adjudicator or workshop leader from Theatre Ontario’s Talent Bank, you can browse our listings online and contact us to be connected with the right instructor for your needs.

Tuesday, 7 November 2017

Connecting Theatre Instructors and Community Organizations

"Playwriting" Summer Theatre Intensive
led by Talent Bank member Maja Ardal
Looking to bring your skills as a professional theatre trainer to community theatres and educational organizations? Join Theatre Ontario's roster of skilled theatre trainers and workshop leaders by becoming a member of the Theatre Ontario Talent Bank.

Theatre Ontario's Talent Bank matches organizations (particularly community theatres and educational organizations) with professional theatre teachers and trainers for workshops, adjudications, and short-term consulting contracts.

The members of our Talent Bank are proficient practitioners, with a demonstrated ability as a teacher/trainer, and sensitivity and familiarity with the needs and concerns of the trainees in the community and educational theatre sector.

Theatre Ontario is committed to connecting a theatre community that craves knowledge and growth with talented professional theatre trainers who can help them achieve their goals.  We believe that our Talent Bank of talented professional trainers can bring innovative, fresh, and energetic expertise to the development and learning of theatre craft for community theatre companies and educational organizations.

The application deadline is January 15, 2018.

Tuesday, 26 September 2017

Welcome Maja Ardal as Festival 2018 Adjudicator

Theatre Ontario welcomes Maja Ardal as adjudicator for Theatre Ontario Festival 2018 in London. Maja most recently adjudicated the QUONTA Festival (northeastern Ontario) in 2015 in Sault Ste. Marie, and the London One-Act Play Festival in 2016. This will be her first time adjudicating Theatre Ontario Festival.

Maja has been working in theatre for forty-seven years. She is a director, playwright, actor, and theatre trainer. Her musical play, The Hero of Hunter Street, was produced by 4th Line Theatre in 2016. She researched and created One Thing Leads to Another, Theatre for Babies, produced by Young People’s Theatre, receiving two Dora Awards in 2015. It will tour Ontario in 2018, and she is developing the sequel, You and I.

“I am honoured to be invited to this festival,” said Maja. “My role as adjudicator is both challenging and delightful, and ultimately involves the moral responsibility of sharing my views in a way that enriches the communities' craft and passion for playmaking.”


Theatre Ontario Festival 2018 will be held in London from May 16 to 20, 2018 and is co-hosted by Theatre Ontario, London Community Players, and the Western Ontario Drama League.

Thursday, 20 July 2017

Join Us at the Adjudicators Symposium

by Brandon Moore, Community Theatre and Communications Manager

Our Adjudicators Symposium has been scheduled for Saturday, October 14 from 10:00am to 4:00pm at the Theatre Ontario office in Toronto. Registrations are now open.

As has become tradition, the Symposium will open with a discussion of “The Past Year of Adjudication.” Adjudicators who were engaged at community theatre festivals in 2016/17 are invited to share their experiences.

In the “Adjudication Techniques Roundtable”, we will discuss strategies for approaching areas of adjudication. Two suggestions have come forward already:
  • Adjudicator-Director conversations in adjudications
  • Adjudicating Intimacy
Further suggestions for topics are invited, as well.

We will also have breakout sessions to discuss “Broader Issues and Big Ideas in Adjudication.” So far, we have three conversation starters:
  • Articulating the Value of Adjudication and Why We Adjudicate
  • Connecting Adjudicators and Prospective Engagers
  • Adjudicator Membership and Involvement in Community Theatres and Productions
Again, suggestions for other topics is appreciated.

Tuesday, 20 June 2017

Save the Date for the Theatre Ontario Adjudicators Symposium

by Brandon Moore, Community Theatre and Communications Manager

Mark your calendars!  We've booked the date for our next Theatre Ontario Adjudicators Symposium – it will be Saturday, October 14, 2017, from 10:00am to 3:30pm at the Theatre Ontario office in Toronto.

Registration will open in July, and I will be soliciting proposed topics for both the "Techniques Roundtable" (where adjudicators discuss approaches and strategies they use in public and detailed adjudications) and “Issues in Adjudication” conversation starters for breakout sessions. Adjudicators also discuss their experiences during the past year.

Thursday, 1 September 2016

Conversation Starters for the Adjudicators Symposium

by Brandon Moore, Community Theatre and Communications Manager

Theatre Ontario's Adjudicators Symposium is an opportunity for adjudicators to benefit from professional development and networking.

The Symposium is a forum to share experiences, compare techniques and practices, and discuss training needs and opportunities.

This year, some of the adjudication techniques we’re going to explore in a round-table format include:
  • Planning for an adjudication
  • Making the most of intermission
  • Effective note-taking and note-organizing
  • Providing tangible information for participants’ future productions

The Symposium is also an opportunity for deeper conversation around issues in adjudication, programming, and philosophy.  Potential conversation starters this year include:
  • In-service adjudications: How can we provide peer-to-peer feedback on adjudications for emerging and established adjudicators? How can we highlight and promote the work of adjudicators?
  • The value of public adjudication: Why should public adjudication be part of the adjudication process?
  • Consistency vs. individuality: Adjudicators all have their own individual techniques. But where is there an expectation of consistency? When can varying techniques cause problems?
  • The philosophy, practicality, and ethics of award distribution: Part of the adjudicator’s job in competitive festivals is allocating awards and honourable mentions. Beyond the context of a specific Festival’s award rules, what principles guide adjudicators regarding such recognition?
  • Artistic citizenship: What does it mean? How does it apply to the work of adjudicators?
We invite Ontario’s adjudicators to join us at the Theatre Ontario Adjudicators Symposium on October 1 from 10am to 3:30pm in Toronto.

Register for the Theatre Ontario Adjudicators Symposium

Thursday, 25 August 2016

Welcome Annette G. Procunier as Theatre Ontario Festival 2017 Adjudicator

Theatre Ontario is thrilled to welcome Annette G. Procunier as adjudicator for Theatre Ontario Festival 2017 in Ottawa. Annette most recently adjudicated the Eastern Ontario Drama League Festival in 2016, and last adjudicated Theatre Ontario Festival in 2012 in Sault Ste Marie.

Annette has worked in community, educational and professional theatre for over 45 years. She is a director, stage manager, play polisher, adjudicator and workshop leader. As an adjudicator Annette has participated in festivals in Europe, Canada, Japan and the United States having judged more than 125 festivals in 30 years. She has adjudicated the world theatre festival in Monaco for IATA and the national festival for the American Association of Community Theatre four times. No other adjudicator has been invited more than once. She is the author of the only book on adjudication Do You See What I See? and is a fellow of AACT—this honor was bestowed for “single-handedly raising the level of community theatre in America.” She is the only non-American to hold the distinction.

Theatre Ontario Festival 2017 will be held in Ottawa from May 17 to 21, 2017 and is co-hosted by Theatre Ontario, Ottawa Little Theatre, and the Eastern Ontario Drama League.


Related Reading


Tuesday, 16 August 2016

Welcome to our Newest Members of the Talent Bank

The Theatre Ontario Talent Bank of Instructors is a program to match organizations (particularly community theatres and educational organizations) with professional theatre teachers and trainers for workshops, adjudications, and short-term consulting contracts.

We are pleased to welcome the newest addition to our Talent Bank for 2016.

Ian Burns (Instructor of Set Design)

Ian Burns is an award-winning set designer who brings an artistic eye to his sets and workshops. From the farmhouse to the classroom, from a plane crash scene to a two story 360˚ rotating set within a set, Burns’ work has been praised for creating instantaneous recognition and establishment of location. A licensed carpenter, he teaches math and construction skills to post-secondary students in Ontario and workshop skills to high school students for theatrical productions. He developed his unique vision in the early stages of his career, mentoring as a scenic artist, and later, as a boat builder. Now, as a mentor himself, his philosophy includes an appreciation for cohesive lines and rich colour palettes that always serve the play and never distract from it. 

Chris Di Staulo (Instructor of Acting and Directing Drama)

Chris Di Staulo is an award-winning director and teacher. Chris has established himself as one of the most exciting directors in the industry. He is known for his focused and intricate work with actors, beautiful cinematography and original narrative work. Chris is a natural-born storyteller, and this is reflected in his internationally distributed films. His unique vision and innovative style have led to awards in film direction at the Cannes International Film Festival, Las Vegas Film Festival, National Screen Institute, Toronto Film Challenge, and many more. His plays have received performances and readings in Los Angeles, Toronto and more.

Zaffi Green (Instructor of Children’s Theatre)

As performance poet and storyteller, Zaffi featured in numerous arts festivals, reading series and benefit concerts throughout Canada and the US. She took up the interdisciplinary tradition soon after the publication of her first chapbook, The Playing Field, fusing words with music, visual arts, video, and creative movement. She published one book of poetry, The Bride of Inglish, a CD recording, The Queen’s Incurable Inglish, and three performance art videos screened in film festivals and television. As an educator she designs arts-based programs for children, youth and adults. She often uses drama structures to foster literacy skills across the curriculum, to nurture creative and critical thinking, and life skills. She creates in multiple forms including songs, character monologues, mini-plays, games, and narrative prose.

Anna Migliarisi (Instructor of Acting)

Born in Italy and raised in Toronto, Anna Migliarisi has worked professionally as an actor, producer, dramaturge and writer for over 25 years.  She’s also an accomplished and experienced teacher and private acting coach.  She’s a proud graduate of the School of Dramatic Art, University of Windsor and has an MA and PhD in Drama from the University of Toronto. Anna has been mentored by some wonderful people, including veteran Actors’ Studio members Janine Manatis and the late Gene Lasko.  In addition, Anna has written books and articles on theatre, and is the recipient of Dora nominations and numerous grants and awards.

Douglas Rice (Instructor of Directing Opera and Voice)

Canadian Lyric Tenor, Douglas Rice, received his education and training from several prestigious institutions including England’s Britten-Pears School, Boston’s New England Conservatory, Hamburg and Cologne Hochschule fuer Musik as well as Sir Wilfrid Laurier University. Known for his role portrayals from the Handelian and Mozart operas, Doug’s versatility encompasses a vast array of operatic literature. Furthermore, his interpretive finesse in oratorio and concert repertoire embodies works by Bach to Beethoven and beyond. Mozart roles such as Tamino and Belmonte delineate his vocal flexibility and ease that he is praised for by press and public alike.

Karen Rickers (Adjudicator – prior Talent Bank member returning after a sabbatical)

A passionate teacher and adjudicator, Rickers is a former Artistic Director of Gryphon Theatre, and alumnus of the Shaw Festival Directors Project. Directing credits include A Midsummer Night’s Dream with Motus O Dance Theatre, The Importance of Being Earnest with Gryphon Theatre and Venus of Dublin with Newer World Theatre. In 2005, she earned a M.A. with Distinction in Staging Shakespeare from The University of Exeter, during which she had the privilege of performing on the stage of the new Globe Theatre in London.  In 2013, she completed a PhD in Drama, also at Exeter, She has adjudicated for ACT-CO, QUONTA, EODL, WODL, Sears Drama Festival, and Acting Irish International Theatre Festival, and taught in the adult and students streams at Theatre Ontario Summer Courses.

Andrea Runge (Instructor of Acting and Children's Theatre)

Andrea has been working as a professional actor and teacher in film, television, and theatre for over 15 years. Currently based in Toronto, she has worked in theatres across the country, including four seasons at the Stratford Festival, Canadian Stage, Tarragon, Segal Centre, Vancouver Playhouse, Theatre Aquarius, Lighthouse Festival Theatre, and the Globe Theatre. Andrea most often teaches classes and workshops on Shakespeare, acting for film & television, and all styles of auditions.  She has taught for the Stratford Festival, Pennsylvania State University, and Persephone Theatre. She is currently an instructor at Armstrong Acting Studios, Young People’s Theatre, and Shakespeare in Action. Andrea received an MFA from Pennsylvania State University, a BFA from the University of Regina, attended the Birmingham Conservatory for Classical Theatre at the Stratford Festival, and completed a certificate course for Arts Education for Artists through York University.

Caroline Smith (Adjudicator – already a Talent Bank member as Instructor of Directing Drama, Directing Musicals, and Creative Writing)

After graduating from York University with a Bachelor of Fine Arts degree, Caroline Smith enjoyed a successful professional career as a freelance performer, choreographer, director and playwright before moving to Stirling, Ontario in 1996 to form the Stirling Festival Theatre. Under Caroline’s leadership as Artistic and Managing Director, the Stirling Festival won three Lieutenant Governor's Awards and numerous business achievement awards. Caroline was also presented with an honorary Arts degree from Loyalist College in 2001. A published playwright, Caroline's play The Kitchen Witches was the winner of the 2005 Samuel French Best Canadian Play Award. In 2009, Caroline formed her new company Moonpath Productions, which creates professional theatre events throughout Ontario. She also leads workshops in Play Development with Gaslight Tours in Collingwood and is a Guest Director at the Toronto Film School.

If you are interested in hiring an adjudicator or workshop leader from Theatre Ontario’s Talent Bank, you can browse our listings online and contact us to be connected with the right instructor for your needs.

Tuesday, 14 June 2016

Join Us at the Theatre Ontario Adjudicators Symposium

Theatre Ontario's Adjudicators Symposium is an annual opportunity for adjudicators to benefit from professional development and networking. The Symposium is a forum to share experiences, compare techniques and practices, and discuss training needs and opportunities.

This year's Symposium will be held on October 1, 2016 from 10:00am to 3:30pm at the Theatre Ontario office in Toronto. Registration is now open.

We are currently developing the symposium content for this year. Topics will include the past year in adjudication and the sharing of experiences, techniques, and best practices. We will also explore “in-service adjudication opportunities” for current members of the Talent Bank.

We also invite suggestions for other Adjudicators Symposium topics.

Related Reading

Thursday, 12 November 2015

Welcome Mimi Mekler as Festival 2016 Adjudicator

Theatre Ontario is thrilled to welcome Mimi Mekler as adjudicator for the 2016 Theatre Ontario Festival in North Bay.  Mimi most recently adjudicated the Western Ontario Drama League Festival in 2014, and last adjudicated for Theatre Ontario’s Festival in 1999 in Newmarket.

"The hard work, discoveries, accolades and camaraderie that are the backbone of the Theatre Ontario Festival make it a special event," said Mimi.  "I’m looking forward to being part of the process that goes into creating the most vibrant community theatre possible."

Mimi Mekler’s work as director, actor, dramaturge, writer and adjudicator has taken her from California to Czechoslovakia and Italy to Israel. She is a professor in the Acting Discipline at Sheridan College’s Music Theatre Department. She also teaches for the joint Theatre and Drama Studies programme at Sheridan and University of Toronto at Mississauga, and for the Digital Character programme for Sheridan’s acclaimed Computer Animation.  Her theatre experience is broad and varied. She is probably best known as Maggie in the long-running children’s TV series Crazy Quilt. Other acting highlights include playing a crazed nun in Bella Donna, portraying both Portia and Calpurnia in Julius Caesar, touring children’s shows and interactive plays, dubbing films in Prague, creating segments of R. Murray Schafer’s opera-in-the wilderness And Wolf Shall Inherit the Moon, and co-creating a clown-dance piece.  She is a member of Theatre Ontario's Talent Bank of theatre instructors.

Theatre Ontario Festival 2016 will be held in North Bay from May 18 to 22, 2016 and is co-hosted by Theatre Ontario, Gateway Theatre Guild, and QUONTA (the northeastern Ontario community theatre association.)

Related Reading

Thursday, 5 November 2015

Connecting Theatre Instructors and Community Organizations

Looking to bring your skills as a professional theatre trainer to community theatres and educational organizations? Join Theatre Ontario's roster of skilled theatre trainers and workshop leaders by becoming a member of the Theatre Ontario Talent Bank.

Theatre Ontario's Talent Bank matches organizations (particularly community theatres and educational organizations) with professional theatre teachers and trainers for workshops, adjudications, and short-term consulting contracts.

Talent Bank member Maja Ardal leading "There's No
Such Thing As Writer's Block" at our
2015 Summer Theatre Intensive
The members of our Talent Bank are proficient practitioners, with a demonstrated ability as a teacher/trainer, and sensitivity and familiarity with the needs and concerns of the trainees in the community and educational theatre sector.

Theatre Ontario is committed to connecting a theatre community that craves knowledge and growth with talented professional theatre trainers who can help them achieve their goals.  We believe that our Talent Bank of talented professional trainers can bring innovative, fresh, and energetic expertise to the development and learning of theatre craft for community theatre companies and educational organizations.

The application deadline is January 15, 2016.

Tuesday, 3 November 2015

Talking About Adjudication

by Brandon Moore, Community Theatre and Communications Manager

Among an adjudicator’s skills, communications—both listening and speaking—is arguably the most important. Adjudicators have to be able to talk knowledgably and effectively with theatre companies about their work. So it’s not surprising when you bring a group of adjudicators together—as Theatre Ontario did at our annual Adjudicators Symposium in September—there is lot of talk, and a lot to talk about.

We talked about the past year of adjudication. Adjudicators saw ambitious programming choices and they saw safe programming choices. They were excited every time they saw enthusiasm for learning at theatres. But we also recognized that many theatres don’t know how to articulate their specific training needs: they just don’t know what they don’t know. Theatre Ontario used to provide “Workshops You Want”, a catalogue of workshops for community theatres, but demand was low—is it time for a revival, or do we need to explore other tools?
From a past Theatre Ontario Adjudicators Symposium. 

We reviewed standards and expectations for adjudications, and discussed tactics for a good adjudication. We talked about how much an adjudicator can know about what happens behind-the-scenes, and the inherent limitations of knowing what challenges a company overcame to bring a production to the stage.

We touched on feedback. As you would hope from anyone who is in the business of providing feedback, adjudicators are interested in receiving it, too. Together we have developed feedback tools, we will try to implement these tools for Theatre Ontario Festival, and we will continue to encourage regional festivals to have a process to gather and provide feedback for adjudicators.

We discussed inclusion and diversity in the pool of adjudicators. As one adjudicator put it, when recruiting adjudicators, we need to find ways to “excite people who may not think they belong.”

We debated awards and “nominations”/honourable mentions, and how that relates to the educational goals of festivals. For some adjudication participants, the outcome of awards can often undermine or de-value the educational component. But awards and recognition can be a valuable part of competitive festivals. While there wasn’t consensus on this topic, there was agreement that a perception of consistency in the process was important.

This year was our sixth symposium since we founded the program in 2010. As always, the opportunity to gather among peers was appreciated—“I haven’t seen you in years!” was frequently heard to start the day. Adjudicators work in isolation, and the value of coming together was reinforced throughout the Symposium.

My favourite comment of the day was that there is a “moral responsibility” in adjudication. Adjudicators encourage excellence through education and recognition. As someone one described it to me, a good adjudicator finds community theatre creators where they are, and with whatever skills and knowledge they have, and gives them the tools to move forward and improve. As we try to answer the question “What’s next?”, we will benefit by continuing to talk about that moral responsibility.

After the Symposium, I travelled to Cobourg for a trial adjudication at Northumberland Players. While it made for a long day, it was an ideal finale for me. Spending time with an adjudicator eager to practice and improve her skills, and observing the interaction between an adjudicator and a company—it reinforced for me that days like our Adjudicator Symposium are important. We should always keep talking about adjudication.

Related Reading

Thursday, 6 August 2015

A Lifelong Love of Adjudication

by Brandon Moore, Community Theatre and Communications Manager

I was adjudicated for the first time when I was 15 years old. Chris Covert was adjudicating the Association of Community Theatres—Central Ontario (ACT-CO) Festival, and I was acting in a production of The Innocents at The Curtain Club in Richmond Hill.  Chris’s health was deteriorating (it was his final Festival) but in spite of that, the way he spoke with me about craft—as someone still figuring out “acting technique”—created a lifelong love of the potential in a great adjudication.  I’ve been a fan of great adjudication ever since.

In 2010, a group of Theatre Ontario staff and established adjudicators met to discuss the state of adjudication in the province.  We’d heard concerns from adjudicators, regional associations, and community theatre members—and saw an opportunity to review Theatre Ontario’s work in the area of adjudication.
Theatre Ontario's Adjudicators Symposium

One of the initiatives we introduced was the Adjudicators Symposium—a forum for adjudicators to come together, share experiences, and identify professional development opportunities.  Going into our sixth Symposium, we’ve explored things like standards for adjudication, peer review, and techniques for handling difficult situations in an adjudication.

The agendas have been created by input from the adjudicators—and also by input from the community theatre sector.  As we plan our Adjudicators Symposium for 2015, we’d like to hear from you—we invite your input as a conversation in the comments below, or by email (brandon@theatreontario.org)  What have your adjudication experiences been like?  What opportunities do you see in the adjudication process?  Where do we need to go from here?

I’ve lost count of the number of adjudications I’ve attended over the past 25 years.  As an artist, I’ve benefited from some wonderful adjudications, and I’ve suffered through some worthless adjudications.  The useful adjudications have—thankfully—outweighed the useless ones.  We look forward to the community’s input as we try to create far more wonderful adjudications at Ontario’s community theatres, and continue to develop for others a lifelong love of adjudication.

Thursday, 4 June 2015

Welcome to the Talent Bank

By Anne Mooney, Community Theatre Coordinator

The Theatre Ontario Talent Bank of theatre instructors was created as one of the great bridges between the professional, community and educational theatre worlds.

Individuals and community theatre groups are thirsty to upgrade their skills.  The wide range of categories available makes the Talent Bank the “go-to” place for these people to seek out quality workshop leaders.

At this time of year, Theatre Ontario is so pleased to announce the new members of the Talent Bank.  It never ceases to amaze at the diversity of new talent—categorically and geographically.  These people definitely celebrate some of the diversity of our great province.

Michael Clipperton from Haliburton is already a member of the Talent Bank and is being added to the category of Directing Instructor (Musicals).

We have two new people being included in Technical categories.  Dave Sansom from the Toronto region is a new member of the Technical Production Instructor category and Andrea Steinwand from Ottawa is being included in the Technical Production Instructor and Set Instructor categories.

Kate Hurman, Ottawa and Susan Cuthbert, Toronto, are joining the Children’s Theatre Instructor category.  Kate is also in the Voice Instructor and Acting Instructor categories and Susan is in three other categories – Voice Instructor, Directing Instructor(Musicals) and Choreography Instructor.  There are two other new members of the Voice Instructor Category – Douglas Rice and Rosalind Mills both or Toronto.  Douglas is also in the Directing Instructor (Opera) and Rosalind is joining the Musical Director/Conductor category.

Clara McBride from Port Hope is a new member of the Physical Theatre Instructor and Improvisation Instructor and Marnie Neve from Guelph is in the Movement Instructor category.  Finally, we welcome Heather Davies to the multiple categories of Acting Instructor, Directing Instructor (Drama) and Directing Instructor (Musicals) and Jennifer Worsnop-Seller as a new Adjudicator.

More information on all of our Talent Bank members can be accessed on the Theatre Ontario website.  Please take a look at all of members.  They are here to support theatre in Ontario.

Browse Theatre Ontario’s Talent Bank of Theatre Instructors

Tuesday, 13 January 2015

Connecting Theatre Instructors and Community Organizations

Looking to bring your skills as a professional theatre trainer to community theatres and educational organizations?  Join Theatre Ontario's roster of skilled theatre trainers and workshop leaders by becoming a member of the Theatre Ontario Talent Bank.

Theatre Ontario's Talent Bank matches organizations (particularly community theatres and educational organizations) with professional theatre teachers and trainers for workshops, adjudications, and short-term consulting contracts.

The members of our Talent Bank are proficient practitioners, with a demonstrated ability as a teacher/trainer, and sensitivity and familiarity with the needs and concerns of the trainees in the community and educational theatre sector.

The application deadline is February 15.

Find out more about joining the Theatre Ontario Talent Bank

Tuesday, 23 September 2014

A Roundtable on Richmond

By Carolee Mason

What happens when you fill a room with a group of seasoned theatre professionals, who all serve as Theatre Ontario adjudicators? When everyone sitting around the table is used to having the floor, giving opinions and guiding the discussion, you might think dialogue impossible.

On September 13, Anne Mooney and Bruce Pitkin played hosts to the annual Theatre Ontario Adjudicators’ Symposium. The day’s focus was on sharing best practice, and refining the standards for our adjudication process. With attendees running from novices to veteran Talent Bank members, all with a wide range of perspectives and experiences, the group enjoyed a full day of valuable discussion.

Anne’s focused agenda, along with her cookies and Bruce’s bottomless coffee pot, facilitated a warm and lively exchange throughout the day. We readily came to agreement around the standards for our adjudication work. We are keen to ensure that our shared practice throughout the province meets the needs of our community groups. At the same time, we hope to deliver feedback, facilitate dialogue, and offer ongoing education around all aspects of production with consistency and clarity.

Participants at the annual Symposium always represent a rich variety of experiences. Since the practice our craft is a solitary pursuit throughout the season, It’s important to have the chance to talk over some of the questions that confront us in our work.

This year, for example, we once again enjoyed a lively debate around copyright concerns. We broke free of our often circular discussion about the confusion around SOCAN, Re:Sound, and the obligation of artists and producers to secure rights, and if required, pay royalties for the use of music within a production. We’d been down this road before.

Caroline Smith pointed out the concept of “Grand Rights” to us all, and explained that securing them can be a process both lengthy and costly. Lindsay Price suggested that we might all consider looking at music that is openly shared under new Creative Commons licence. As I had doggedly spent hours telephoning and faxing rights holders over the years to secure permissions, I found these suggestions intriguing! That sent me off in search of some answers to the inevitable questions I had after the meeting. Let me share with you these websites! I found some VERY useful information:

Several of us chimed into the discussion with the reminder that groups can seek out  composers and commission original music. That had long been my practice in Perth, Ontario. Working with the fabulous composer and teacher Jack Hurd ( shout out to Jack in Perth!), I was able to involve many more artists in the productions - inspiring us all in the process, and heightening the theatrical experience for our audiences.

You have to believe that the Symposium is well loved by the Adjudicators. If it didn’t offer such worthwhile professional development, the Theatre Ontario office wouldn’t be so popular a Saturday destination once every Fall.

Find out more about Theatre Ontario's Adjudicator Symposium

The 2013 Adjudicators Symposium