Thursday, 11 August 2016

Funding Youth Theatre Training Projects

Does your organization want to undertake a unique youth training project, led by professional theatre artists?  We are now inviting applications for the October 17, 2016 deadline for our Youth Theatre Training Program (YTTP).

YTTP offers financial support to programs anywhere in Ontario, led by professional theatre artists, which deliver accessible training to young people (age 14 to 21) in theatrical skills such as:

  • Technical production and design
  • Theatre administration and producing
  • Performance skills and play creation

Read all about the Youth Theatre Training Program on the Theatre Ontario website
Read about the most recent youth training (Spring 2016) funded by Theatre Ontario's Youth Theatre Training Program

The program is funded by the Ontario Arts Council, an agency of the Government of Ontario.

Wednesday, 10 August 2016

Browsing Our Bulletin Board

Coming Up from Theatre Ontario

  • Preparing an OAC application? Get the inside scoop at “Grant Writing Information” pre-recorded webinar with Pat Bradley of the Ontario Arts Council on September 6.
  • Want to know the secrets to a successful voice acting career?  Join us at our “Voice-Over” workshop with Elley-Ray on September 10 in Toronto.
  • Join us at Play Date, from our Youth Advisory Committee—the most fun you’ve ever had networking—on September 12 in Toronto.
  • Calling all bowlers, supporters and sponsors! We invite you to take part in our inaugural Bowl-a-Thon in support of Theatre Ontario on September 17 in Toronto.
  • Registrations are now open for our Adjudicators Symposium on October 1 in Toronto, bringing together the province’s adjudicators for professional development and networking.
  • Applications are now open for our Professional Theatre Training Program mentorship grants. The application deadline is October 3.
  • Members save 50% on E-learning courses from WorkInCulture. One of the six courses available is Partnership and Collaboration—Create your dream team! Working together is a skill, and by helping you understand the essentials of successful collaboration, this course will help your next collaboration run smoothly.
Check out all of our upcoming Career Stream and Creator Stream workshops.

Upcoming on The Bulletin Board

Shadowland Theatre's Ashkenaz Festival
Festival workshops begin on August 15
  • Anne Marie Scheffler's One Person Show workshop is on August 13 and 14 in Toronto, while her 5-day One Person Show Incubator runs August 15 to 19 in Toronto.
  • Deadline to apply for Shakespeare Globe Centre of Canada’s Bluma Appel Mentorship Award for Directors, for directors interested in an advanced directing study placement at Shakespeare’s Globe Theatre in England is August 15.
  • Shadowland Theatre’s site décor and puppet creation workshops for the Ashkenaz Festival begin on August 15.
  • Master Performing's "The Psychology of Optimal Performance" workshop is on August 15 in Toronto.
  • Register to apply for Ontario Trillium Foundation Seed Grants by August 17 to ensure review of your eligibility by the September 14 deadline.

New on The Bulletin Board

  • Young People’s Theatre is holding Artist Educators training on September 15 and 16 in Toronto—the registration deadline is September 2.
  • Registrations are now open for the SPARC Symposium for Performing Arts in Rural Communities, running October 27 to 30 in Haliburton.
Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Tuesday, 9 August 2016

Stories from the Professional Theatre Training Program

Our Professional Theatre Training Program (PTTP) offers financial support for unique and flexible training with a chosen mentor in any theatrical discipline (except performance.)

Today we feature two stories:
The next application deadline for the Professional Theatre Training Program is October 3, 2016.


Theatre Ontario’s Professional Theatre Training Program is funded by the Ontario Arts Council, an agency of the Government of Ontario.

Stories from the Professional Theatre Training Program: Matthew Thomas Walker

Our Professional Theatre Training Program (PTTP) offers financial support for unique and flexible training with a chosen mentor in any theatrical discipline (except performance.)

Matthew Thomas Walker trained in directing with Kim Collier at Bard on the Beach / Electric Company in Vancouver BC.

(July 13, 2016) A few weeks have now passed since Romeo and Juliet opened and I’ve been back in Toronto. I feel very grateful for the experience I’ve had mentoring with Kim and working with the greater community at Bard on the Beach. The show turned out beautifully and was very inspiring to take part in bringing to life. Having support from Theatre Ontario allowed me to dive fully into the work in a way that I wouldn’t have been able to otherwise.

Last summer, my impulse to seek Kim’s mentorship came from a readiness to widen my expectations as an artist. After just a few hours in studio with her during the Volcano Conservatory she’d already succeeded in pushing me to dream bigger, and left me with many questions about how she ignites this through her leadership.

Since starting to direct, I’ve taken pride in using the constraints presented to me as a positive force for creation. There is however, always a risk that constraints can lead you off the purpose of the art. Working with Kim was a great way to start testing the boundaries of my process. She achieves the impact that she does by pushing and expanding and making room for what she feels a project can achieve, while inspiring those around her to keep up and match her efforts. Her mission for the art drives all choices: how this piece of theatre can affect positive change within those who experience it. On occasions throughout the process when we’d run up against barriers that tempted the team to settle for more practical solutions, Kim would hold onto the ideal, return to her prep work and how that moment tied into the greater action of the show and argue for its purpose. And with that belief, we would push through until we solved it. It was very satisfying to take part in because it was driven by an agreed-upon purpose.
Pre-R&J warm-up at Bard on the Beach

This attitude has served her in both her creative work itself and her approach to the industry. On many occasions she spoke about going to the arts councils and boards, appealing for reform. What I learned from being a part of her process is that she’s been successful in this, not just because she pushes but because she pushes from an impulse of finding a ‘better’ for the greater whole, not just for herself. ‘Dreaming bigger’ will fail if the growth is driven by a selfish or empty need (more audience, more revenue, or more acclaim.) She is an idealist who is dreaming on all our behalf and pushing us to expect more, instead of settling for status quo practicality.

Another thing I loved about working with Kim is that discussions of work and life seemed to weave without division. In mentoring with her, I feel I learn as much about how to live as I learn about how to work. In early meetings, I shared with her that I would be getting married this summer. This started an ongoing conversation about love, and the act of standing with someone as you move through time. Analysis of scenes from Romeo and Juliet would spill over into our own personal histories and futures. In many ways I feel she prepared me as much for the future of my relationship as she has for my future as a director. Amidst the many challenges of a life in the arts, this is its greatest benefit. Our lives and our experiences are our currency.

Related Reading:

The next application deadline for the Professional Theatre Training Program is October 3, 2016.


Theatre Ontario’s Professional Theatre Training Program is funded by the Ontario Arts Council, an agency of the Government of Ontario.

Stories from the Professional Theatre Training Program: Gilda Monreal

Our Professional Theatre Training Program (PTTP) offers financial support for unique and flexible training with a chosen mentor in any theatrical discipline (except performance.)

Gilda Monreal will train in playwriting with Rosa Laborde at Criminal Theatre in Toronto.

Gilda Monreal
Photo by Jeremie Triplet
(July 6, 2016)  I am excited and honoured to submerse myself in the mentorship of accomplished writer, actor and director Rosa Laborde at Criminal Theatre. Over these coming weeks I hope to gain practical experience which will help me to develop my storytelling and writing skills. Through various exercises, meetings, and creative exploration, we plan to develop my skills in script analysis, dramatic structure, character development and multi-storyline layering. In addition, I hope to analyze and refine the understanding of my personal process through academically structured exercises mixed with creative free-flow writing.

I feel Rosa Laborde has set a fierce example of strong playwriting and leadership in our national and regional theatre, and her mentorship will be a cornerstone in my career. In 2015, I had the opportunity to collaborate with Rosa on my new play-in-progress AYELEN at SummerWorks Festival. Her dramaturgical support allowed me to experience an innovative approach to creative storytelling, and I was able to observe and learn storytelling techniques that made playwriting more exciting and accessible than I had experienced before with dramaturges in Canada. This experience showed me that in a mentorship program with her, my creative voice will be encouraged to reach its potential without any external curating on her behalf. It is this recent experience with Rosa Laborde which has inspired me for the first time in years to return to theatre and writing in Canada. This is an important point for me, as I am searching to refine my creative voice with mentorship guidance, and not to imitate or mirror my mentor’s own creative voice. As her theatre company states: “We believe that the individual artist’s voice is unique and valuable to the growth of our cultural landscape.”

Her understanding of my traditional theatre training, multidisciplinary and visual arts approach, and multi-lingual expression (both of us are Canadian-Latina), is key to this apprenticing relationship. My journey as a multidisciplinary artist has brought me to have various creative experiences, and at this stage of my career I am confident in being able to bridge these disciplines into a unique form of storytelling. My objective now is to return to theatre with a focus on refining my playwriting skills. It is through the refinement of these fundamental skills that I envision bringing my distinctive visual and theatrical stories to life.

My work has been described by critics and colleagues as “operatic”, “magical”, “likes of Greek tragedy”, “poetic”, and therefore, as described in the proposed timeline, we will review and study elements of Greek tragedy to examine how these same elements are reflected in my own contemporary work. As Rosa has pointed it out, it will be exciting to analyze the effectiveness of poetic action, poetic structure and storyline through the classics and new translations of these classics. And lastly I will have the opportunity to write and develop my own work under her mentorship.

I look forward to working with Rosa Laborde, her guidance and mentorship will challenge me to develop my writing skills with a new analytical lens. I see this contributing to my new scripts in progress, in particular AYELEN, which shall be presented at a public reading after I conclude these weeks of mentorship. I also hope to contribute to Rosa Laborde’s Criminal Theatre company by demonstrating growth in the seeds her company will plant in my path. I am honoured and looking forward to being able to work on our proposed mentorship program. Thank you Theatre Ontario!

The next application deadline for the Professional Theatre Training Program is October 3, 2016.


Theatre Ontario’s Professional Theatre Training Program is funded by the Ontario Arts Council, an agency of the Government of Ontario.