Showing posts with label stage combat. Show all posts
Showing posts with label stage combat. Show all posts

Tuesday, 21 August 2018

Stories from the Summer Theatre Intensive: The Art of Stage Combat

Stage Combat at the 2018 Summer Theatre Intensive
Mahlet is on the far right.
by Mahlet Tesfu

This summer I had the privilege of attending Theatre Ontario’s Stage Combat course, taught by Daniel Levinson. I had originally wanted to take another course geared solely towards studying acting, however the opportunity to take this stage combat course came around and it seemed so interesting, and boy, was I right. This was my first time attending any Theatre Ontario course and I was so impressed by the array of diverse courses offered and really wanted to take them all!

In the stage combat course we covered a multitude of fighting techniques. From sword, where we learned the classical techniques, such as how to parry in positions one through eight, to unarmed where we learned how to kick, slap, punch, choke and defend, just to name a few. What fascinated me the most is how incredibly realistic the fights looked, yet they were completely 200% safe. The number one motto of our instructor Daniel, was “safety first above all else.” He beat it into our heads that no amount of pressure, expectation or level of perfection was worth hurting ourselves over.

Daniel delved into the history behind sword and unarmed fighting which really helped us understand the logic behind the movements and how and why certain techniques are the way they are. What I loved the most was seeing everything come together. It was really lovely to attach singular technical moves to stories. Using short scenes Daniel provided, we were able to create choreographed fighting scenes for both sword and unarmed. This was my favorite part, because all the moves and technique came to life so beautifully with added context and purpose.

It was such a treat to attend the “Playwright-in-Person” play reading by Marie Beath Badian at the Stratford Perth Museum. She graciously read excerpts from two of her plays The Making of St. Jerome and Prairie Nurse, which were both brilliantly written. It was wonderful to hear from an accomplished working playwright about her process, and her experience navigating through the industry. It was yet another treat to get the chance to talk to her personally after the event for any tips, advice, or questions, which she was so happy to do.

We got the opportunity to attend To Kill a Mockingbird at the Festival theatre. I was very excited to attend a Stratford play, as this was only my second one and it did not disappoint. Harper Lee’s novel was skillfully adapted into a play and worked very well for the stage. The cast and crew did an incredible job bringing this timely yet classic story to life.

My week with Theatre Ontario in Stratford far surpassed all of my expectations. I’m grateful for the people I got to meet and work with and for getting the best introduction into the exciting world of stage combat!

I’d like to thank Rachel and Emily for going above and beyond, Daniel for being the most patient and passionate teacher and extending his wealth of knowledge and my classmates for being the best sparring partners!

Mahlet was the recipient of Theatre Ontario’s 2018 New Talent Scholarship for our Summer Theatre Intensive, co-sponsored by ART Agency Inc., AMI Artist Management Inc., and Seventh House Talent.

Playwright-in-Person is made possible by a grant from the Playwrights Guild of Canada's "PlayConnect" program, funded by the Canada Council.

Friday, 17 August 2018

Ontario Off Stage

Stage Combat at Summer Theatre Intensive 2018
by Brandon Moore, Community Theatre and Communications Manager

From Theatre Ontario


Conversation Starters


Behind the Scenes at Ontario’s Theatres


In Case You Missed It

Wednesday, 18 July 2018

Browsing Our Bulletin Board

Upcoming opportunities from Theatre Ontario, from our members, and from other arts service organizations.

Coming Up from Theatre Ontario

Theatre Ontario's Summer Theatre Intensive
Last call for our Summer Theatre Intensive! Spaces are still available in some of our courses in Stratford:
Registrations close on July 20.

Check out all of our upcoming Career Stream and Creator Stream workshops.

Upcoming on The Bulletin Board

  • Ryerson School of Performance’s Adult Summer Acting Intensives begin July 23.
  • Deadline to register to apply for Ontario Trillium Foundation Capital Grants program is July 25.

New on The Bulletin Board

  • Theatre by the Bay’s next Barrie Theatre Lab workshop is on August 6.
  • Solar Stage invites submissions for The Dawning Series, paid playwright professional development for playwrights interested in writing specifically for Theatre for Young Audiences (TYA).

Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Wednesday, 11 July 2018

Browsing Our Bulletin Board

Upcoming opportunities from Theatre Ontario, from our members, and from other arts service organizations.

Coming Up from Theatre Ontario

Spaces are still available in some of our Summer Theatre Intensive courses in Stratford:
Watch John P. Kelly talk about his directing course:


Check out all of our upcoming Career Stream and Creator Stream workshops.

Upcoming on The Bulletin Board

  • The MT Space's free dance and movement workshop with Vanguardia Dance Projects runs July 12 and 13 in Kitchener-Waterloo.
  • Shaw Festival’s “Learn Bollywood Dance” workshop with Krystal Kiran is on July 14 in Niagara-on-the-Lake.
Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Wednesday, 4 July 2018

Browsing Our Bulletin Board

Upcoming opportunities from Theatre Ontario, from our members, and from other arts service organizations.

Coming Up from Theatre Ontario

Theatre Ontario's Summer Theatre Intensive
Spaces are still available in some of our Summer Theatre Intensive courses in Stratford:

Upcoming on The Bulletin Board

  • Deadline for applications for Ontario Arts Council’s Compass grants is today.
  • Deadline for applications to direct The Land Grabber at Toronto Irish Players community theatre is July 6.
  • Deadline for submissions from producers for undercurrents 2019 in Ottawa is July 6.
  • Deadline for applications for George F. Walker’s Acting Workshop in Toronto is July 9.

New on The Bulletin Board

  • Stratford Festival invites submissions for the Michael Langham Workshop in Classical Direction.
  • Festival Players of Prince Edward County invite submissions for their Fall Artist Residency Program.

Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Wednesday, 27 June 2018

Browsing Our Bulletin Board

Upcoming opportunities from Theatre Ontario, from our members, and from other arts service organizations.

Coming Up from Theatre Ontario

  • Spaces are still available in some of our Summer Theatre Intensive courses:
    Theatre Ontario's Summer Theatre Intensive

Upcoming on The Bulletin Board

  • Deadline for applications for Ontario Arts Council’s Touring Projects grants is June 28 and Compass grants is July 4.
  • Deadline for nominations for Buddies in Bad Times’ Queer Emerging Artist Award is June 29.
Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Wednesday, 30 May 2018

Browsing Our Bulletin Board

Upcoming opportunities from Theatre Ontario, from our members, and from other arts service organizations.

Coming Up from Theatre Ontario

Check out all of our upcoming Career Stream and Creator Stream workshops.

Upcoming on The Bulletin Board

Scarborough Theatre Guild's production of The Cemetery Club
They are seeking artistic staff for the 2018/19 season
  • Deadline for submissions for Nightwood Theatre’s “Write from the Hip” program for emerging women playwrights is May 31.
  • Deadline for submissions for Canadian Stage's Territorial Tales for storytellers 14-21 has been extended to June 1.
  • Deadline for applications for artistic staff for the 2018/19 season at Scarborough Theatre Guild community theatre is June 7.

Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Thursday, 8 March 2018

Join Us at our Summer Theatre Intensive 2018

Theatre Ontario's Summer Theatre Intensive
Building on our partnership with Off the Wall, Stratford Artist Alliance, Theatre Ontario is returning to Stratford this summer! Once again expanding the courses to two possible training weeks in the beautiful building at Factory 163, we are thrilled to offer a mix of classic courses and brand new experiences for this year’s participants.

For 2018, we are offering the following courses:

WEEK ONE (August 5-10th)
  • Learning to Love Your Monologue with Peggy Coffey
  • Directing - From First Reading to Opening Night with Diana Leblanc
  • Stage Combat with Daniel Levinson
  • Teaching Drama to Children and Youth - Building Your Toolkit with Andrew Lamb
WEEK TWO (August 12-17th)
  • Hot Scenes - Building your Acting Technique with Brenda Kamino
  • Directing with Design in Mind with guests TBA
  • Voice Bootcamp with Elley-Ray Hennessy
  • Creation Lab with Donna-Michelle St. Bernard
Learn more about Theatre Ontario’s Summer Theatre Intensive

Thursday, 4 January 2018

Save the Date for our Summer Theatre Intensive

Exploring the mask making class at Factory163
Are you an actor, director, creator or designer craving an opportunity to immerse yourself in your craft? Look no further—our Summer Theatre Intensive is coming back to Stratford and will take place August 5th to 10th and 12th to 17th, 2018.

After an outstanding 2 weeks last summer at Factory163 we have decided to return for a second year in a row. Sharing the building with artists, photographers, creators, and our friends over at Off The Wall, Stratford Artists’ Alliance makes for an electric, creative atmosphere and we can’t wait to get back in studio with this year’s participants!

This year we are exploring offering classes in:
  1. Beginner Directing
  2. Dialogue Series – Directors and Designers
  3. Beginner Acting – Monologues
  4. Advanced Acting – Scene Study
  5. Teaching Acting
  6. Creators’ Lab
  7. Voice Bootcamp
  8. Stage Combat
Additional details about course content will be coming soon, so keep an eye out for our instructor announcements!

Theatre Ontario's Summer Theatre Intensive brings together theatre people from all over the province for a week-long rigorous educational experience. For nearly forty years, our courses have earned praise from drama teachers, theatre schools, community and professional theatres, agents, and actors getting started in the business.

Friday, 15 September 2017

Ontario Off Stage

by Brandon Moore, Community Theatre and Communications Manager

Conversation Starters

Tom Rooney in Tartuffe at Stratford Festival.
Photo by Cylla von Tiedemann.

Migrations


TO Toasts


In Case You Missed It

Wednesday, 26 July 2017

Browsing Our Bulletin Board

Adult theatre training at The Shaw

Upcoming on The Bulletin Board

  • The Shaw’s Stage Skills for adults “Stage Combat” workshop is on July 28.
  • The Shaw’s Scene Study Sunday for adults is on July 31.
  • Deadline to apply for Laidlaw Foundation Resilience 150 grants for projects and events created and/or co-created by young people that celebrate Indigenous resilience and resistance on this land is July 31.
  • Deadline to apply for Ontario Arts Council’s Theatre Projects grants is August 1.
  • Deadline to apply to direct at East Side Players’ community theatre is August 1.
Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Wednesday, 19 July 2017

Browsing Our Bulletin Board

Theatre Ontario's Summer Theatre Intensive

Coming Up from Theatre Ontario

  • We are still accepting registrations for our Summer Theatre Intensive for actors, directors, and playwrights. Spaces are available until July 21.
  • Want to know the secrets to a successful voice acting career? Join us at our Voice Over workshop with Elley-Ray on July 22 in Toronto.
Check out all of our upcoming Career Stream and Creator Stream workshops.

Upcoming on The Bulletin Board

  • The Shaw Festival “Shaw Conference” for academics and Shaw experts begins on July 21.
  • The Shaw’s Stage Skills for Adults “Stage Combat” workshop is on July 28.

New on The Bulletin Board

  • Laidlaw Foundation invites submissions for their Resilience 150 grants for projects and events created and/or co-created by young people that celebrate Indigenous resilience and resistance on this land. The deadline is July 31.
  • The Stratford Festival invites submissions for the Michael Langham Workshop for Classical Direction from emerging and mid-stage theatre directors. The application deadline is August 8.
Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Thursday, 25 May 2017

Highlights of the Detailed Adjudication of “Better Living” at Theatre Ontario Festival 2017

Ghost Light Players' production of Better Living
by Brandon Moore, Community Theatre and Communications Manager

Highlights of the detailed adjudication by Annette G. Procunier of Ghost Light Players’ production of Better Living by George F. Walker (representing the Western Ontario Drama League—WODL)
  • Ghost Light Players is a two-year-old company; no permanent home—they enjoy moving to new spaces; found kindred spirits
  • Director enjoys black comedy, absurdist theatre, “meaty” work: opportunities in George F. Walker; this was an exciting challenge
  • Originally performed at the Bank Theatre in Leamington; seats 150 and they averaged about 75 people per performance which exceed their expectations—proscenium stage, braced set pieces, manual lighting board, two-channel sound system; 40 minutes away from their home in Windsor
  • Texts like this from the late-70s/early-80s are resonating again with political extremism coming back; issues of family violence have not gone away
  • Not an easy play to watch, learning curve for the audience; there will be people in the audience who have lived it; depended upon the truthfulness of the presentation
  • Structure of text can be problematic: Opens with exposition, raucously funny, initially the father isn’t so dreadful—he seems benign; but evil hides in banality
  • Text doesn’t articulate why the women get sucked back in; people do return to abuse, but it is a sparsely-written transition—all plays have difficulty in their writing, and the challenge is to figure them out
  • Production was abundantly truthful—committed to believability and taking us into the world (and we didn’t want to be there)
  • Set was evocative, audience members went up to the edge of the stage to see the detail
  • Give your tech people all the time in the world—they get far less of it; in tech rehearsals, actors need to sit there and shut up
  • Furniture arrangement: Sofa was parallel to the edge of the stage, with the chair perpendicular; if the chair was angle, we would have seen the person sitting in the chair much better
  • Kitchen rocking chair interfered with them using the space; also, it read more like a living room rocking chair; it was Nora’s mother’s chair yet she never sat in it (actor had backstory to explain that, but audience didn’t see it)
  • Loved the characters eating; it demonstrated compulsive behaviour but the heads down sometimes made it hard to hear
  • Costumes and cell-phone made it clear it wasn’t set in the 1980s since the set (out of necessity) couldn’t tell us that
  • Actors should take time with their initial entrance: they are the action and we want to absorb who they are; give us an action that allows us a second to see them (e.g. Junior’s entrance—wanted him to flaunt while not seeing Jack in the kitchen; could have been achieved if Jack was entirely U.S. and Junior flaunted to audience rather than mirror)
  • Wonderful job of truthful movement, especially with a text requiring so much physicality
  • Relationship between Gail and Junior was extremely clear about who was in charge, his naivete was finely acted
  • Theatre is about truth not reality: believable people are essential and the actors committed to that; family members’ responses were distinct from each other
  • Nora’s first entrance in full regalia was successful: actress created a world and lived in it; always be careful vocally: when voices rise, they can emphasize vowels at the expense of consonants (particularly for women)
  • Risk-taking: characters/actors push each other to the limit, listened to each other as thought things were fresh and new
  • Occasionally kept playing through the laughs; this is not stand-up comedy with punchlines (like a comedian telling jokes for predictable laughs), but the humour is essential to the work
  • Pace and internal rhythm was good
  • Nora clearly knew who Tom/Tim was, but decided to live their relationship in another way; it was scary; they talked through the fight scene and changed it a lot—talking is good, but performers can be hurt and should take the time to rehearse it; similarly the Tom/Jack fight was creepy
  • Maryann had excellent flightiness
  • The gun was not seen clearly by the audience; a stage gun would have had more impact than the sound effect
  • The motorcycle helmet gag was a hoot; succeeded because there was no self-consciousness
  • The final family scene left us with question of what happened to him, and then he comes in with the television—would his entrance have been more effective if he came in from the backyard, audience focus would go to him; they had tried that choice, but decided they preferred him sneaking into the family portrait—execution didn’t read as “sneaking”, read as he belonged there; what was the significance of the television? He will show them what’s going on in the world, part of his control over them
As always, this is my best effort to record the conversation at the Detailed Adjudication, with apology for any misrepresentations of the ideas of the members of the company and the adjudicator. Corrections and clarifications are welcome in the comments.

Wednesday, 2 November 2016

Browsing Our Bulletin Board

Coming Up from Theatre Ontario

Voice Over workshop with Elley-Ray
  • Running away from a blank page? Learn how to get past writer’s block. Join us at our PGC Writer’s Block webinar with Marcia Johnson in partnership with Playwrights Guild of Canada on November 3 in Toronto.
  • Keep your team safe and your show running smoothly—join us at our Health and Safety for Independent and Community Theatres workshop with Janet Sellery on November 5 in Toronto.
  • Learn the techniques and the language to stage human sexuality in a way that is professional, dynamic and focused on storytelling at our Intimacy for the Stage weekend intensive with Tonia Sina in partnership with Burning Mountain on November 12 and 13 in Toronto.
  • Build and maintain a solid career that industry professionals and audiences will trust in our Building Your Brand as an Artist workshop with Edward Power on November 14 in Toronto.
  • Answers to your FAQ’s about the business of acting! Join us at our Launching Your Career workshop with Rachel Kennedy and guest Claire Armstrong, in partnership with Artscape Launchpad on November 22 in Toronto. 
  • Preparing an OAC application? Get the inside scoop at our Grant Writing Information pre-recorded webinar, with Pat Bradley of the Ontario Arts Council, available on November 22.
  • Want to know the secrets to a successful voice acting career? Join us at our Voice Over workshop with Elley-Ray on November 26 in Toronto.  
  • What does an agent do and why should you have one? Join us at our Ask an Agent workshop with Alicia Jeffery on November 28 in Toronto.
  • Members save 50% on E-learning courses from WorkInCulture. One of the six courses available is Marketing—Find and grow your audience! How do you make the leap from "Sounds like a great show" to "Two tickets, please"? This course will take you through that process, developing and enhancing your marketing skills along the way.
Check out all of our upcoming Career Stream and Creator Stream workshops.

Upcoming on The Bulletin Board

  • The AOE Artpreneur Conference in Ottawa is on November 5.
  • Theatre Orangeville’s Introduction to Stage Combat workshop for youth 11 to 17 is on November 5.

New on The Bulletin Board

  • The Bentway in Toronto is looking for ideas. Got an idea for The Bentway (formerly Project: Under Gardiner)? Share how you would turn this forgotten space under Toronto’s Gardiner Expressway into a place of discovery and creativity! Submission deadline is November 25.
Check out these items, and other postings from our members.
Theatre Ontario individual members can also access Auditions, Job Postings and Discount Ticket Offers on our Theatre Ontario Individual Member Resources on our website

Thursday, 26 May 2016

Celebrating Learning Opportunities for Community Theatre Practitioners at Theatre Ontario Festival

Theatre Ontario Festival features a variety of educational events for the passionate, dedicated community theatre practitioners. Highlights included:
Plus… catch-up on all of the social conversation from Theatre Ontario Festival 2016 on Storify

Highlights of the Festival Workshop “Stage Combat 101” with Joshua Bainbridge

Joshua Bainbridge led our second Festival workshop: Stage Combat 101.  Here are a few highlights of the workshop as recorded by Bruce Pitkin, Executive Director of Theatre Ontario (as you can imagine, it’s far more easily appreciated as a participant than a reader).

General Principles

  • Need to know about your set and furniture. 
  • Want to make everyone feel comfortable with stage combat. 
  • Ask for everyone to be 100 per cent committed to safety. 
  • All combat based on the three 'S's: safety, story, style. 
  • Core basics of stage combat: a nap is the audible illusion of combat. 
  • First person or Aggressor nap where the aggressor creates the sound. Demonstrates. 
  • Second person or victim nap. Demonstrates. 
  • Contact or shared nap. Demonstrates. 
General rule, for every second of stage combat, you need one hour of rehearsal time. You also need to practice the combat sequence in the warm-up before every show. Keep alert and safe.

Another nap that occurs with every move, the vocal or audio nap. It sells the move to the audience and it adds a visceral dynamic to the storytelling, reflecting the intentions of the characters.

Safe way to take a slap or a punch and then going to your knees. 
Demonstrates. 
Turning and going gently onto one knee, then the other. Most gentle way of going down. 

Pulls and drags

  • Never put pressure on someone's joint. Safety first. 
  • Victim is always the leader in leading the action.
  • Eye contact is essential. 

Paw grip

  • Demonstrates. The victim holds onto the hand and guides the movement. 
  • The victim may release at any moment and is entirely in control of the pairs movement. 

The slap

  • A person should never be actually slapped on stage. Create the illusion of the slap. 
  • First slap is an open hand slap. 
  • Demonstrates creating the illusion of a slap in the face, but the hand never crosses in front of the face. Start at chest level.  
  • Victim presents open palm at chest level for the nap. 
  • Group practises the slap with victim nap. 
  • Masking the slap by following through to protect the face. This depends on the story you're telling. 

Cross punch

  • Demonstrates. Standard fight stance is used since it is the best centre of gravity. 
  • Used whenever you go into any fight. 
  • Assume fight stance to throw a punch. Eye contact ensures visual cue for scene partners. Feet placement. Arm and hand placement. Use an aggressor nap with cupped hand contacting upper chest. Keep distance from victim. 
  • Practice. 

Hinge punch

  • Opening the arm up at the elbow, like a hinge. 
  • Often used in comedic fight situations. 

Pushes

  • Pushing is really simple. Aggressor assumes fight stance, then places palms on upper chest and shoulders. Victim pushes self off of aggressors hands. Victim controls the movement. Add the audio nap. 

Chokes

  • Throat choke. Aggressor lines hands up in a 'V' shape and places this on upper chest over collar bone. Victim grabs these hands and pulls then to their chest. Victims  controls the movement and speed. Create the illusion of the chin being pulled down. 

Rear choke

  • Depends on the height difference between the actors.
  • Aggressor comes from behind, assuming a strong fight stance. Wrap arm around the victims upper chest. Victim grabs arm, places chin in elbow nook and controls the movement, as the choke action goes slowly down to the floor. Add audio nap. Be especially careful not let the choke ride unto the forearm. 

Tuesday, 12 April 2016

Welcome to our Productions at Theatre Ontario Festival 2016

Theatre Ontario is thrilled to welcome the four productions that will perform at Theatre Ontario Festival 2016 in North Bay. These productions are chosen from Ontario’s regional community theatre festivals, and are a showcase of outstanding community theatre from across the province.

On Wednesday, May 18, Festival opens with Gateway Theatre Guild’s world premiere production of Kristin Shepherd’s Curved, representing QUONTA (the northeastern Ontario community theatre association.) This is the second year in a row that the Festival host has been chosen to represent their region. Curved was the winning production at QUONTA Festival in Sudbury, as chosen by adjudicator Rita Huschka.

On Thursday, May 19, Northumberland Players returns to Festival for the first time in over a decade, as they present Boeing Boeing by Marc Camoletti, and translated by Beverly Cross and Francis Evans. From Cobourg, and representing the Eastern Ontario Drama League (EODL), this was the winning production at EODL Festival in Peterborough, chosen by adjudicator Annette Procunier.

On Friday, May 20, last year’s Elsie Award recipients for Outstanding Festival Production return to Festival, as Theatre Sarnia will again represent the Western Ontario Drama League (WODL) as they present 33 Variations by Moises Kaufman. This show was chosen by adjudicator Ron Cameron-Lewis as the winning production at WODL Festival in Woodstock.

On Saturday, May 21, Festival’s performances wrap-up with The Curtain Club’s production of The Drowning Girls by Beth Graham, Daniela Vlaskalic, and Charlie Tomlinson. The Richmond Hill community theatre will represent the Association of Community Theatres—Central Ontario (ACT-CO), and were chosen by adjudicator Thom Currie as the winning production in the Drama category from the ACT-CO Festival.

As previously announced, Theatre Ontario Festival 2016 will feature detailed adjudications with Mimi Mekler, Playwright-in-Person readings with Donna-Michelle St. Bernard, workshops on “Comedy Scene Study” with Michelle Jackett-Webster and “Stage Combat 101” with Joshua Bainbridge, and awards and parties celebrating community theatre in Ontario.

The annual Theatre Ontario Festival is a showcase of outstanding community theatre productions; a classroom for passionate, dedicated community theatre artists; a celebration of excellence in community theatre; and a destination bringing together theatre lovers from across the province. Theatre Ontario Festival 2016 runs May 18 to 22, and is co-hosted with Gateway Theatre Guild and QUONTA.

Thursday, 17 March 2016

Join Us at Our Theatre Ontario Festival Workshops

Michelle Jackett-Webster
We’re excited to announce our Theatre Ontario Festival workshops in North Bay for Festival attendees eager to enhance their skills.

On Thursday May 19, we have “Comedy Scene Study” with Michelle Jackett-Webster. Participants will learn the elements of comedy needed when scenes in a play. We will discuss pacing, comic timing, physical comedy, patterns of three, writer’s intent and the use of contrast within comedic works. Scene partners will work on a short scene to implement these concepts. We will be approaching the work from a "Cold Reading" point of view to simulate the audition and call back settings in a community theatre environment.

On Saturday May 21, we have “Stage Combat 101” with Joshua Bainbridge. This hands-on workshop will focus on unarmed physical theater. Participants will learn stage combat essentials, including falls, slaps, punches, kicks and chokes. Safety skills are given top priority during this workshop.

Joshua Bainbridge
All Theatre Ontario Festival workshops are free on a first-come, first-served basis. Theatre Ontario Festival Theatre Ontario Festival is a showcase of outstanding community theatre productions, a classroom for passionate, dedicated community theatre artists, a celebration of excellence in community theatre, and a destination bringing together theatre lovers from across the province. Festival 2016 runs May 18 to 22 in North Bay.

Join us at Theatre Ontario Festival 2016

Wednesday, 23 September 2015

Browsing Our Bulletin Board

Coming Up from Theatre Ontario


Check out all of our upcoming Career Stream and Creator Stream workshops.

Upcoming on The Bulletin Board

  • Sudbury Theatre Centre’s Intro to Stage Combat workshop is on September 27.
  • Deadline for the John Hobday Awards in Arts Management, for established and mid-career arts managers looking for funding to pursue professional development or mentorship opportunities is September 30.
  • The Shaw Festival’s Fall Play by Play program for theatre lovers interested in going behind the scenes begins September 30.
  • TAPA is holding a workshop in Toronto on Incorporation and Charitable Status on September 30.
  • Deadline for Ontario Arts Council grants for Artist(s) in the Community/Workplace, Arts Education Projects, and National and International Residency is October 1.

New on The Bulletin Board

  • Paprika Festival invites applications for all of its programming areas: Paprika Productions, Creators Unit, Resident Company, Playwriting, Advisory Board, and Director's Lab.  The application deadline is October 14.
  • The Shaw Festival Theatre School, with programs for youth in Grades 3 through 12, begins October 17 in Niagara-on-the-Lake.

Check out these items, and other postings from our members of funding opportunities, workshops, calls for submission, awards, and more—on Theatre Ontario’s Bulletin Board on our website

Theatre Ontario individual members can also access auditions and job postings on our Theatre Ontario Individual Member Resources on our website

Wednesday, 16 September 2015

Browsing Our Bulletin Board

Coming Up from Theatre Ontario

  • Theatre Ontario is seeking a volunteer to teach theatre techniques in a classroom setting with the goal of improving literacy and communication skills. The deadline is September 18.
  • Launching Your Career workshop with Rebecca Ballarin and special guest Joseph Recinos – Get answers to your FAQs about the business of acting – September 21 at 3pm in Toronto.
  • Reciprocal Agreements between CAEA and ACTRA with Arden R. Ryshpan (CAEA) and Indra Escobar (ACTRA) – Learn how the new agreement affects you – September 21 at 6pm in Toronto.
  • Adjudicators Symposium – Professional development and networking – September 26 at 10am in Toronto.
  • Unleashing Your Inner Entrepreneur workshop with Rebecca Ballarin and special guest Scott Dermody – Planning on producing a show or starting a theatre company? Start here – September 28 at 3pm in Toronto.
  • Grant Writing Information Session free recorded webinar with Pat Bradley (Ontario Arts Council) – Preparing an application to the Ontario Arts Council? Get the inside scoop – September 29 at 6pm.
  • Do you need financial support for professional development or a "change of direction" in your career? The next application deadline for our Professional Theatre Training Program is October 1.
  • Are you seeking funding for a unique youth theatre training project?  The next application deadline for our Youth Theatre Training Program is October 15.
Check out all of our upcoming Career Stream and Creator Stream workshops. 

Upcoming on The Bulletin Board

West Side Story at Curtain Call Players.
Their annual general meeting is September 20.
  • Helen Donnelly’s Discover Your Clown course in Toronto starts today.
  • TAPA’s workshops on Standard First Aid with CPR/AED (Sep 21 to 22) and Emergency First Aid with CPR/AED (Sep 21) both have registration deadlines of September 17.
  • Curtain Call Players in Toronto invites the community to their Annual General Meeting on September 20.

New on The Bulletin Board

  • Sudbury Theatre Centre launches their Adult Workshop series on September 27 with Intro to Stage Combat with Caleb Marshall.
  • The Canada Council’s John Hobday Awards in Arts Management offers up to two awards of $10,000 annually to established and mid-career arts managers looking for funding to pursue professional development or mentorship opportunities.  The deadline is September 30.
  • Alumnae Theatre seeks directors for the 2016 New Ideas Festival.  The deadline is October 5.
  • Outside the March invites applications for Forward March from playwrights and creators interested in working to develop original, large-scale, immersive experiences.  The application deadline is October 9.
Check out these items, and other postings from our members of funding opportunities, workshops, calls for submission, awards, and more—on Theatre Ontario’s Bulletin Board on our website.

Theatre Ontario individual members can also access auditions and job postings on our Theatre Ontario Individual Member Resources on our website.