FREE MONEY

by Nancy Kenny

Well, now that I have your attention, read on.

Nathan Gibbs via Compfight

As an independent theatre producer, I constantly find myself paying for my projects out of pocket. Yes, I have received grant money in the past and I do believe they still offer much needed help to artists. However the process to get them can be lengthy, the competition just keeps getting tougher, the pool money available often seems to be shrinking, and at the end of the day, after jumping through all the necessary hoops, you're still not guaranteed a dime. (That said, for more information and tips on grant writing, please see some of my previous posts here and here, as well as my podcast series with the Ontario Arts Council.) What's a poor artist/producer to do? Well, if you've been anywhere near the Internet in the last year or so, chances are good that you've heard about Crowdfunding. According to the knower of all knowledge (i.e. Wikipedia):

Crowd funding or crowdfunding describes the collective effort of individuals who network and pool their money, usually via the Internet, to support efforts initiated by other people or organizations. Crowd funding is used in support of a wide variety of activities, including disaster relief, citizen journalism, support of artists by fans, political campaigns, start-up company funding, movie or free software development, inventions development and scientific research.

Now, you might not have been aware of the term "crowdfunding," but you've probably heard of the multiple platforms out there that perform this very service. I'm talking about the Kickstarters, the Indiegogos and the GoFundMes, among others. So, you just pick a crowdfunding site, put in your brilliant project, send out a tweet and BLAMMO! Now you can just kick back and watch all that glorious moulah roll in, right? Well, not quite. While I personally find crowdfunding to be easier than writing one grant application after another, it still involves quite a bit of work. From choosing the platform that's right for you, having a financial goal in mind, creating perks, leveraging your network and fans, making campaign updates that don't annoy the heck out of everyone you know and following through on your promises, developing a successful crowdfunding campaign requires a lot of careful planning and considerations.

ED. UPDATE: Our next "Crowdfunding Essentials" workshop with Nancy will be on November 15, as part of our "Artist as Entrepreneur" Boot Camp.

Originally posted: http://nancykenny.ca/2013/02/free-money/

Nancy Kenny is a professional actor, writer and independent producer. She is a founding member of Evolution Theatre in Ottawa, now entering its seventh season, and has toured her one-woman show, Roller Derby Saved My Soul, to great critical and public acclaim across the country. She ran a successful crowdfunding campaign for RDSMS and is excited to share with you what she learned along the way.

For almost ten years, Nancy has been working in marketing, promotions, and event planning with a focus on social media and theatre arts organizations.  She has worked professionally for the University of Ottawa, the Canadian Museum of Civilization, the Canadian War Museum, the Great Canadian Theatre Company, and Evolution Theatre.  She was the Interim Online Communications Coordinator for the Ontario Arts Council, and currently produces and hosts their monthly podcast series.  She is also the Social Media & Community Manager for VIA Rail.

Web: www.nancykenny.ca Twitter: @nancykenny

New Training Opportunities: Crowdfunding, Getting Started For Actors, Self-Producing, Playwrighting Self-Editing and a Directors Intensive

We’ve pleased to announce five more exciting training opportunities coming up at Theatre Ontario.

So You Need Money For Your Project? Crowdfunding for Artists and Arts Organizations is a new workshop with Nancy Kenny on March 25 at 6:30pm.  You’ve got the ideas.  You’ve got the passion.  You’ve got the drive.  What you’re missing is the almighty dollar.  Grant writing and fundraising events are no longer your only options when it comes to finding money to get your project off the ground.  Welcome to the wonderful world of crowdfunding—come learn the tools and the techniques to succeed.

We have also scheduled our next dates for our two popular professional theatre sessions.

Getting Started For Actors with Tim Chapman on March 27 at 2pm.  This session is for actors beginning their professional careers to get the answers to the most frequently asked questions about the business of acting: the realities of showbiz, pictures and resumes, Equity and ACTRA, agents and casting directors, auditioning, and maintaining and improving your acting skills.

Self-Start: The Basics of Producing with Tim Chapman on April 10 at 2pm.  If you want to do a show but have never produced professionally before, and if you want to know what questions to ask first, this session is for you!  This workshop is designed for individuals thinking of producing a show or starting a theatre company, and gives you the opportunity to ask questions and try out ideas, discover the questions you need to ask and answer, learn to organize your thinking and planning, work on scheduling and budget considerations, and find out about available resources and services.

Finally, we have two weekend courses, one for playwrights and one for directors.

Playwriting: How to Self-Edit and Critique with Lindsay Price on April 5 to 7.  Plays are not written in the first draft.  Plays come to life in rewrites.  But re-write how?  What if we don't know how to move our work forward?  What if we don't know how to critique our own work?  What if we aren't sure how to process feedback from others?  This workshop offers tools and techniques for playwrights who have a play “under construction.”

Directors Intensive with Autumn Smith on April 20 to 21.  This two-day workshop is designed for experienced directors in both the community theatre and professional theatre realms, concentrating on making the work as specific as possible; and exploring how to get what the playwright intended onto the stage in a simple and detailed fashion.

To find out about all of Theatre Ontario’s upcoming training covering grant information, proposal writing, taxes, and introduction to adjudication, visit the Courses and Workshops listing on the Theatre Ontario website